Reviews
"Ashley Mercer made an excellent impression...His singing displayed quality"
Alan Neilson, operawire.com, November 2018
Dinner at Eight, Wexford Festival Opera
"Ashley Mercer made a big impact in the small but significant role of Harašta"
Hugh Canning, Opera Magazine, November 2014
The Cunning Little Vixen, Co-Opera Co
"...well-served by [the] distinctive court Usher, Ashley Mercer"
Claire Seymour, Opera Today, November 2014
Trial By Jury, Wexford Opera Festival
"A performance brimming with vitality...Ashley Mercer cut an elegant figure as Jupiter"
Margaret Davies, Opera Magazine, September 2013
Orheus in the Underworld, Trinity Laban Conservatoire
"Ashley Mercer, most grippingly articulate of these six doomed soloists"
Roderic Dunnett, Exeunt Magazine, May 2013
Danse Macabre, London Festival of Contemporary Church Music
"We were also treated to Ashley Mercer's noble rendition of Peter Cornelius'
The Three Kings, a combination of rich lower tones and light upper notes"
The Three Kings, a combination of rich lower tones and light upper notes"
Martin Lovell, Somerset Guardian, December 2012
Corsley Festival
"heavenly bass Ashley Mercer proved a star in the making"
Pat Rudkins, Halstead Gazette, March 2012
Stainer Crucifixion, Halstead Choral Society